Bench & Bar

MAR 2018

The Bench & Bar magazine is published to provide members of the KBA with information that will increase their knowledge of the law, improve the practice of law, and assist in improving the quality of legal services for the citizenry.

Issue link: https://kentuckybenchandbar.epubxp.com/i/956835

Contents of this Issue

Navigation

Page 14 of 87

13 BENCH & BAR | www.artsy.net/article/artsy-editorial-cady-no- land-sues-collector-galleries-destroy-art- work-copy-disavowed 16. See, e.g., Mass. Museum of Contemporary Art Foundation v. Buchel, 593 F. 3d 38 (1st Cir. 2010). 17. Kelley v. Chicago Park Dist., 635 F. 3d 290 (7th Cir. 2011). 18. See, e.g., Harper & Row, Publishers, Inc. v. Na- tion Enterprises, 471 U.S. 539 (1985); Campbell v. Acuff-Rose Music, 510 U.S. 569 (1994); and Eldred v. Ashcroft, 537 U.S. 186 (2003). 19. 17 U.S.C. § 107. 20. See generally Brian L. Frye, Andy Warhol's Pantry, 8 Akron Intellectual Property Journal 17 (2014). 21. Rogers v. Koons, 960 F. 2d 301 (2d. Cir. 1992). 22. Blanch v. Koons, 467 F. 3d 244 (2d. Cir. 2006). Ironically, Koons later threatened to sue an art gallery for copying his balloon dog sculptures and selling the copies as bookends. See, e.g., Guy Adams, Jeff Koons bites back at 'copies' of balloon dog, Independent, January 27, 2011. 23. Cariou v. Prince, 714 F. 3d 694 (2d. Cir. 2013). 24. See, e.g., Amy Adler, Fair Use and the Future of Art, 91 N.Y.U. L. Rev. 559 (2016). 25. See, e.g., Walter Benjamin, e Work of Art in the Age of Mechanical Reproduction (1935). 26. See TEFAF Art Market Report 2017, at https://www.tefaf.com/about/art-market-re- port and Clare McAndrew, e Art Market (2017), at https://www.artbasel.com/about/ initiatives/the-art-market. 27. Tim Schneider, e Great Reframing: How Technology Will - and Won't - Change the Gallery System Forever (2017). 28. See generally Tim Schneider, e Great Re- framing: How Technology Will - and Won't - Change the Gallery System Forever (2017). 29. See generally Brian L. Frye, New Art for the People: Art Funds & Financial Technology, 93 Chicago-Kent Law Review 113 (2017). 30. See, e.g., Christopher Groskopf, Museums are keeping a ton of the world's most famous art locked away in storage, Quartz, Jan. 20, 2016, at https://qz.com/583354/why-is-so-much- of-the-worlds-great-art-in-storage/ 31. American Alliance of Museums, Code of Ethics for Museums (2000), available at http://www.aam-us.org/resources/ethics-stan- dards-and-best-practices/code-of-ethics; Association of Art Museum Directors Policy on Deaccessioning 2, June 9, 2010, available at https://aamd.org/sites/default/files/docu- ment/AAMD%20Policy%20on%20Deacces- sioning%20website.pdf 32. See generally Joseph L. Sax, e Public Trust Doctrine in Natural Resource Law: Effective Judicial Intervention, 68 Mich. L. Rev. 471 (1970). See also Brian L. Frye, Art & the 'Public Trust' in Municipal Bankruptcy, 93 University of Detroit Mercy Law Review 629 (2016). 33. See Brian L. Frye, Art & the 'Public Trust' in Municipal Bankruptcy, 93 University of Detroit Mercy Law Review 629 (2016). See also generally Andrew Russeth, Vision Quest: e Berkshire Museum Will Stop at Nothing to Sell Its Art, Including a Masterpiece by Norman Rockwell, ArtNews, Nov. 20, 2017, at http://www.artnews.com/2017/11/20/ vision-quest-berkshire-museum-will-stop- nothing-sell-art-including-masterpiece-nor- man-rockwell/ 34. Bridgeman Art Library v. Corel Corp., 36 F. Supp. 2d 191 (S.D.N.Y. 1999). 35. Loic Tallon, Introducing Open Access at e Met, Metropolitan Museum of Art, Feb. 7, 2017, at https://www.metmuseum.org/blogs/ digital-underground/2017/open-access-at- the-met 36. e Convention for the Protection of Cultural Property in the Event of Armed Conflict with Regulations for the Execution of the Conven- tion (1954), Art. 1. 37. See, e.g., Erin L. ompson, Legal and Ethical Considerations for Digital Recreations of Cultural Heritage, 20 Chap. L. Rev. 153, 176 (2017) (discussing responses to the destruction of historic sites by ISIS). 38. See, e.g., Manlio Frigo, Cultural property v. cultural heritage: A "battle of concepts" in international law?, International Review of the Red Cross No. 854 (2004). 39. See, e.g., Jeanette Greenfield, e Return of Cultural Treasures 257-61 (Cambridge 2d ed 1996); Patrick J. O'Keefe, Trade in Antiqui- ties: Reducing Destruction and eft 103-05 (UNESCO 1997). 40. See, e.g., Eric A. Posner, e Internation- Put our ERISA experience to work for your clients! Do you have clients eligible to receive benefits under an ERISA plan? Early representation is key, so call us today. We can help. • Long-term Disability • Short-term Disability • Life/Accidental Death Insurance 800-249-3731 201 West Short Street, Suite 800 • Lexington, KY 40507 This is an advertisement Services may be performed by other lawyers ERISA al Protection of Cultural Property: Some Skeptical Observations, 8 Chicago Journal of International Law 213 (2007). 41. See, e.g., Jennifer Anglim Kreder, e Holocaust, Museum Ethics and Legalism, 18 Southern California Review of Law and Social Justice 1 (2008). 42. See Commission for Art Recovery, http:// www.commartrecovery.org/ and http://www. lootedart.com/ 43. See, e.g., Phillip Oltermann, Picasso, Matisse and Dix among works found in Munich's Nazi art stash, e Guardian, Nov. 5, 2013. 44. See, e.g., Jennifer Anglim Kreder, e New Battleground of Museum Ethics and Holo- caust Era Claims: Technicalities Trumping Justice or Responsible Stewardship for the Public Trust?, 88 Oregon Law Review 37 (2009). 45. Cf. Karl N. Llewellyn & E. Adamson Hoebel, e Cheyenne Way: Conflict and Case Law in Primitive Jurisprudence (1941) (introducing the concept of "trouble-cases." See Page 22 for Convention Details THE WAIT IS OVER!

Articles in this issue

Links on this page

Archives of this issue

view archives of Bench & Bar - MAR 2018